LR19
APARMENT
MADRID, SPAIN
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ACADEMIE MWD DILBEEK
ACADEMY OF MUSIC, WORD AND DANCE
DILBEEK, BELGIUM
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The Academie MWD sits at a uniquely varied crossroads; South: the main square; North: Wolfsputten, a protected forest; West: CC Westrand, a Brutalist community centre; and East a series of quaint suburban villas.
Image and texture dematerialise the volume: the façade seems to blend into the forest.

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Our challenge was erecting a building with a quality of its own, which makes sense from all four directions.

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We carefully modulate scale and form: the jagged edge of the roof mimics those of the homes across the street, growing gradually to the cantilevered auditorium at the other end, and rising up to look face to face towards the monumental volumes of CC Westrand.

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The building changes dramatically as we move along the sidewalk; walking towards the forest, we see forest; walking towards the grey Westrand we see greys, whites and blue skies.

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Looking straight into the façade, we see the colours of a painting by A. Hoppenbrouwers, the architect of neighbouring Westrand.

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MAISON DU PROJET
CRADLE TO CRADLE BUILDING
ROUBAIX, FRANCE
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RMdP is the first C2C (Cradle to Cradle) building in France. A regenerator of a former factory, it is an economic, cultural and environmental activator.

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The MdP (House of the Project) hosts meetings, exhibitions, calls for tender, as needed to reactivate the 1.000 Ha area into the circular economy.

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It is also improving soil and air conditions, eating up the chemicals left over from former industrial activity.

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There were no earthworks, using driven piles that may be recovered; the structure and façades are designed for disassembly and reuse.

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Materials are biodegradable or recyclable, with zero harmful chemicals

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Sanitation generates nutrients, with the chimneys of three dry toilets as a main feature of the façade.

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Landscaping cleans the soil; the building feeds on clean energies, with controlled solar exposure and the principle of the thermal onion.

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Technology reuse is easy, the designers call it “superfurniture”: mobile equipment units to provide a specific function to any space.

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WESTRAND
DISPLAY FOR BRUTALIST CULTURAL CENTRE
DILBEEK, BELGIUM
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The building was conceived as a meeting centre, by an important figure Alfons Hoppenbrouwers (1930 - 2001), the architect of the building and one of the protagonist in integrating color and life into the buildings. According to him these were always missing elements.

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For the future of CC Westrand, we propose a masterplan where we bring back the same original conpcets: color and life. However the project also responds to the problems related to the growth of the population which demands the reorganization of the spaces and the appearance of technical problems related to the aging of the building.

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In the master plan we can distinguish three parts: technical, creative and organizational. These parts are in mutual relation with each other, so that different parts of the plan can be executed over time in a coherent way, regardless of the order.

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Within these three parts we have made up a catalogue, which is important within the future vision of the building. This works a bit like a shopping list that can be performed in steps.

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In this set-up also small ideas are important and can find support within the framework of the bigger master plan, in order not to be left aside.

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Besides, the bigger scale cannot be forgotten: integration of greenery, parking area and landscape are described as well, all with the same coherence.

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The master plan that we propose is definitely not a standard architectural plan that has been made up just by architects. On the contrary, it is the result of many workshops with local experts, Dilbekenaars, users of the building, staff, municipality...

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The basis of this document reflects the ideas of the people who knows the building better.

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WELZIJNSCAMPUS
COMPETITION
DILBEEK, BELGIUM
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We propose a large ground floor, with three smaller specialized “houses” on top, linked by a roof garden.

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There are three discreet “houses” on this elevated hedge landscape. The size of each of the volumes is equivalent to any of the neighboring houses. This minimizes the visual impact of the relatively large programme. A gate leads up the garden path to the houses directly from the street.

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By occupying the maximum legal percentage of plot surface with ground floor area we can facilitate accessibility to all the daily uses, like the refter, computer spaces, kind en gezin, etc, as well as a large space for other offices and agencies. This large space at the rear of the plot has no interference with pillars inside the perimeter, so that it can be adapted to different arrangements in the future.

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The ground floor is mostly glazed, with views all around to the green buffer outside. The glass panes have different reflectivity values depending on the orientation, but also for privacy, so that from the outside onlookers will mostly see the reflection of the green buffer.

All the ground floor is covered with a bubble deck slab, a cost efficient way to build a large floor area. It is all waterproofed with a single ply membrane, to allow for enough soil cover for a roof garden to thrive. A layer of massive hedge is planted on top, and pathways are trimmed into it, leading to the housing area directly from the street, or connecting the elevator from the inkom to the activity room.

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NUÑEZ DE ARCE 9
OFFICE AND HOME
MADRID, SPAIN
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An old Madrid apartment becomes a place to live and work. The large available area is treated as a country plot, building a small house with a garden at one end, and leaving the rest as labor fields.

The house-shelter is built with lightweight and cheap materials, forming boxes that are stacked, juxtaposed or doubled, so that their interiors can be used according to precise functions.

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The garden, empty of constructions, is filled with light elements under the light of a street lamp. It is a space of communication, place of passage for all, but with the dimension and the necessary equipment to invite the break. At one extreme, a sushi-kiosk offers us food and drink.

The intermediate places, discrete adjoining constructions, close anonymous doors to a neutral space inhabited by multiple activities.

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In the fields of labor, the most subjective operation is carried out: the discovery of the landscape.

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Scraping, smoothing, puffing, discovering episodes, traces, wounds, that appear before us in the distance. Distance of time: hand-painted papers a century and a half ago, overlays of different tastes, fashions, traces of different uses and ways of life. Distance in space: if we sit at a point in this open space, we have before us a panorama of episodes that invite us to approach. We get up called by a point of undefined colours, we want to see what it is, to feel its texture, its smell, to lose ourselves in its silhouettes. A sutured wound, a meeting between two times, a Pompeian red surrounded by a random mixture of vegetal, symbolic and geometric decorations. But, little by little, even the mouldy glue of the burlap was gaining our respect.

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OOSTCAMPUS PARK
PRODUCTIVE LANDSCAPE
OOSTKAMP, BELGIUM
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An energy producing park, built with recycled materials. Park activities, cycle and pedestrian lanes coexist in harmony with yards for storage and the management of construction material.

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The park around the building is also built with a very controlled budget, and its features are productive systems, rather than an expense.

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The city's road work department material storage integrates with pedestrian and cycling routes. It is part of a European Interreg MP4 project: Making Places Profitable.

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Water harvesting in two steps: the roof provides clean water for all the toilets, the workshops, and the vehicle cleaning point.

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This adds to the water collected in the plot, which may contain some sand to filter, but is perfect to fill the street-cleaning truck tanks.

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INSTITUTO CERVANTES BXL
headquarters refurbishment
Brussels, Belgium
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Everything is pre-existing, recycled or, if new, mobile.

Preexisting, apart from the structure and the enclosure, we found interesting elements to preserve; the temptation would be to empty everything and start over, but many installations and even finishes could be preserved and integrated into a new concept.

Recycled, in the mature market of Brussels it is possible to find recycled materials of high quality and benefits at very competitive prices. In addition, the Institute had materials from the previous headquarters (and other centres) that can be easily incorporated.

Mobile, so that the investments in new materials of equipment can be reused in the future regardless of functional or strategic changes.

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The activities allocated in this floor are visible from the street as a way to highlight its public essence. A domestic library, a coffee hall, a multifunctional space with stands or the information displayed on the monitors.

A pixelated sky ceiling that encloses all the installations machines, stablishes a direct dialogue with the language use to solve the stair that connects the hall in the second floor that gives access to the classrooms.

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The ground floor is a single and continous space. There are lines of vision that cross the space from one side to the other. The light comming through the windows of a façade can be seen from the other one.

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However, there are clearly separate enclosures and routes; the library has a defined and controlled access point, but when we go inside it, we find places to rest, windows, points of visual contact with the rest of the program. Inside of the library route, the most sheltered angle hosts the children’s library area. Then, at halfway a ramp rise above the grount finishing the tour on a reading room furnished as a domestic space surrounded by books, but at the same time serving as a storefront and a stage.

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The central space accommodates complementary and temporary functions, framed by curtains or light furniture, which also allows to use it as a classroom for teaching activities. It is a space between classrooms, used for waiting to start a class, informal talks, to manage enrollment periods, and also for extracurricular activities.

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The velvet curtains work acoustically, while giving this space a theatrical character that facilitates the role play, much needed for language learning.

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The circle is coated with recycled PETT felt, which is acoustically absorbent, and allows the communication of teachers and students to be sharp and effective. The coloured felt works also as a contrasting background that allows us to gladly reuse the existing chairs in the previous headquarters

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One of the major challenges of the project was to combine at the ground floor level the required flexibility for a multifunctional and public space, and allowing at the same time the possibility to locate 30.000 books of the library. The system proposed to solve this issue was a three-dimensional version of the Cervantes Institute Logo. Orthogal geometries created by thick red lines which limit undefined spaces.

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We have observed that the teaching system used by the Instituto Cervantes requires a circle arrangement of students. We also take account that this circle arrangement conflicts with the square perimeter of the usual spaces for this use. Therefore, we plan to mark the circle in the classrooms with an element of simple construction. In the interstices suitably chosen plants are placed to help clean the atmosphere of the room.

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CASA ENCUENTRO
HOUSE FOR AN ARTIST
ALMERÍA, SPAIN
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The newly built spaces are discrete, invisible, underground, camouflaged among the terraces and hiding behind the two huge pine trees that mark the spot. The owner’s rooms and painting studio blend into the ground, built under an artificial hill that blooms with colourful desert flowers in the spring. At the heart of the hill is the bedroom. Among the terraced grounds a water reservoir hides, white, long and narrow, serving as a swimming pool. Below the level of the pool is a shaded area with a marble table, good shelter from the August heat. The three hectares of land are planted with ancient olive trees, which the owners turn into organic olive oil in the local mill.

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One of the challenges of the project is to intervene in a mythical landscape establishing a dialogue, providing a comfortable environment while maintaining the validity of the old fictions. By a dry river bed, and thanks to an ancestral irrigation system, we built an oasis in which the main cast in the film can take a rest, while not interrupting the panorama for the camera.

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The central courtyard, the enclosure of the lounge and the porch roof, are protected with what we call "instant fig tree." It's a double lattice with silhouettes of fig tree branches and leaves, in laser cut and galvanized steel sheet. The two layers are offset according to the solar angle, so that in winter they let the sunlight in, while in summer they cast a dense shade. As natural fig trees do, but not needing to wait for them to grow.

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The project is partly the rehabilitation of a traditional farmhouse, the locally typical whitewashed cubic construction with flat roof. The oldest parts are left virtually untouched outside and inside, leaving the original whitewashed rendering with all the irregularities and marks of time. We just replaced the pavement, through which the new heating, electricity and water ducts run.
Encuentro means Meeting, between the new and the old, between fiction and reality, between the visitors who may rent part of the house and its daily inhabitant, but the house is also an encounter between different needs, brought together and separated by a water-filled courtyard. However, a small opening ("the cat gap") allows the owner’s cat to circulate freely through all areas of the house, not needing to cross the flooded courtyard.

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To the West, the spaces merge with overlapping vegetation, terracing land and artificial hill. The East wing of the house is decidedly orthogonal instead, aligning with the road from the town of Tabernas
Fifteen minutes from Almeria airport and with an ultra-fast Internet connection, an old farmhouse in the desert of Almeria becomes also a hyper connected house, allowing the other owner to work every day in the stock exchange of an Asian capital.

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We are in the Desert of Tabernas in Almería, a hilly landscape that is famous among film buffs as the location of hundreds of movies, from classics like Lawrence of Arabia and Cleopatra and mythic westerns like A Fistful of Dollars, to more recent hits like Indiana Jones or The Possibility of an Island.

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AY86
TWIN APARTMENTS
MADRID, SPAIN
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Renovation of a residential building of the early XXth century in Madrid. The building, consisting out of a stone facade with large windows and a metal structure, has allowed us to reorganise the original layout completely. By demolishing all existing partitions, leaving the metallic pillars and facilities shafts visible, the building has been made suitable again for living in the 21st century.

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The use of white walls, mirrors and continuous blue micro-cement pavement in all rooms of the building, including wet areas and terraces, are reinforcing this continuity and fluidity. This strongly contrasted with the presence of warm and dark colors of the wood and stone of the boxes.

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The living spaces are considered as a continuous and fluid space in which boxes are placed, as if they were furniture, which hide the most private spaces; bedrooms, toilets and storage areas. The kitchens, originally located in the back of the apartment together with the service bedroom, are now connected or included in the living area.

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Un Proyecto de: Carlos Arroyo Architects
Equipo: Vanessa Cerezo, Carlos Arroyo, Julio de la Fuente
Dibujos: David Jiménez Iniesta
Inaugurado: Marzo 2017
Fotos: Miguel de Guzmán

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Photos Drawings
Almirante 11, 1º F, 28004 Madrid Spain
T +34 91 521 3569
info@carlosarroyo.net

Carlos Arroyo Architects, Madrid based office for Architecture and Urbanism, has an international scope, building in Spain, France, Belgium, Rwanda, Colombia and Argentina.

The work ranges from institutional projects like Oostkamp Civic Center (Belgium) and the Academy of Performing Arts Dilbeek (Belgium), through to large developments like the eco-neighbourhood Ecobarrio de Toledo (Spain) or Camaleón Living in Rivas Ecopolis (Spain). The total construction budget of the works in which he has played a major role exceeds 200 million€.

We have developed protocols for innovation on all scales, from building technology to landscape management, developing new types of public building, or researching into new forms of housing. Our work, described by critics as “sustainable exuberance”, claims to set the frame for a new architectural culture, language and aesthetics, through the ethics, technology and parameters of sustainability.

Project leaders:
Carlos Arroyo, Vanessa Cerezo, Cristina Revilla, Julio de la Fuente.

Collaborators (Past & present):
Carlos Revilla, Havi Navarro, Nikita FV Keysselitz, Miguel Ruiz-Rivas, Hendrik Verlinden, Kasper Denayer, Alexander Krol, Rafael Otero, David Jiménez Iniesta, Paula Currás, Iciar Arboledas, Marina Gil, Irene Castrillo, Sara Miguelez, Pieter Van Den Berge, David Berkvens, Benjamin Claeys, Paula Cortés, Carmina Casajuana, Sophie Devaux, Ana Belén Franco, Martin Hochrein, Érika Goyarrola, Jan Lacina, Natalia Matesanz, Irene Alvarez de Miranda, Miguel Paredes, Luis Salinas, María Gabriela Sanz, Sarah Schouppe, Beatriz Sendín, Riikka Stockstrom, Benjamin Verhees.

Benchmarks:

  • 2015 Academie MWD, the Academie of Music, Word and Dance in Dilbeek (Belgium) was included in the eight “Future Listed Buildings” (Patrimonium voor de toekomst) built in the last three years in Flanders-Brabant.
  • 2015 Nobelia Office Tower in Kigali (Rwanda) has received the maximum rating by the Green Building Council: World Leadership 6 Stars (Green Star SA Office v1 Design Shell & Core). It is the first 6 star building in inter-tropical Africa, and indeed the first on the continent outside South Africa.
  • 2015 MdP Maison du Projet de La Lainière de Roubaix is the first registered C2C (Cradle to Cradle Inspired) building in France. It is the seed building for a regeneration of the whole La Lainière area towards a circular economy.
  • 2013 OostCampus, is now a reference for the design of City Halls in Belgium, having received the Prijs Bowmeester National Award for Public Buildings. OostCampus is also a reference for Universal Design. In 2011 the project was awarded the Holcim Silver Award for Sustainable Architecture in Europe. In 2012 it was selected in Archdaily’s list of 65 Best New Buildings in the World 2012.

Main projects:
Breeze House Kacyiru, Mixed-used building, Kigali (RW), Under Development, 2014- • Maison du Projet de la Lanière, First Building Cradle to Cradle Inspired built in Francia, Roubaix, Lille (FR), Completed, 2014-16 • Nobelia, High Performance Low Energy Business Centre, Kigali (RW), Under Construction, 2013- • Mundi, Wetlands Interpretation Centre, Kigali (RW), Under Development, 2013 • CREA Foundation, Artists in residence hotel in Avila (ES), Under Development, 2013- • SOL, Refuge for the Climate Change, Mataha Foundation, Under Development, 2009 • OOSTCAMPUS, City hall and civic centre, Oostkamp (BE), First prize competition, Completed, 2008-12 • ACADEMIE MDW, Academy of Performing Arts, Dibleek (BE), First prize competition, Completed, 2007-12 • TSM3, House and Office Building, Madrid (ES), Completed 2005-18 • AAN, University building. Agrarias-Ambientales-Neurociencias Universidad de Salamanca (ES), Completed, 2004-08 • Gominolas, Infant school, Madrid, Competition, 2003 • Centro de día, Day Center for the elderly, Second prize competition, 2000 • CIDEMAT Island’s Center for Marine Sports, Sta Cruz de Tenerife (ES), Competition, 2000 • Trees and pillars, Sports center, Torrejón de la Calzada, Competition, 1999 • Ecomuseum of Water Mining, Tenerife (ES), First prize competition, 1998-99 • Underground parking in Vinyols i Els Arcs, Tarragona (ES), Constructed, 1998-99 • Casa en Ribarroja, Family house in Ribarroja, Valencia (ES), Under Development, 2009- • Casa en Las Lomas, Family house in Las Lomas, Madrid, (ES), Under Construction, 2006- • Casa de los Azulejos, Family home in Cáceres (ES), Completed, 2005-07 • Casa Encuentro, House in Desierto de Tabernas, Almería (ES), Completed 2005-07 • Casa del Amor, House in La Moraleja, Madrid (ES), Completed, 2001-03 • Casa Uali, Family house in Aranda de Duero, Burgos (ES), Project, 2002 • Casa Betula, Family house in Ubeda, Jaen (ES), Completed, 2002-03 • Casa El Jaral, Family home in La Poblachuela, Ciudad Real (ES), Completed, 1996-98 • 119 Houses in Rivas Ecópolis (ES), First prize competition, Under Development, 2008- • Dulce Hogar, 103 housing units in La Garena, Alcalá de Henares (ES), Competition, 2006 • Cultivos Urbanos, 2114 housing units in Aguas Vivas, Guadalajara, Competition, 2006 • Flexible y Democrático, 711 housing units in Mieres, Asturias (ES), Competition, 2006 • CLV, 2500 sqm Cohousing for CLV, Válor, Granada (ES), Under Development, 2005- • Cruz, 12 senior flats with shared space in Madrid (ES), Under Development, 2004- • La Casa de las Flores 2, 142 housing units for youths and seniors, Competition, 2003 • MH, 30 Lofts in  Polígono Julián Camarillo, Madrid (ES), Under Development, 2003- • Ecobarrio de Toledo, 627 housing units in Stª Mª de Benquerencia, Toledo (ES), Under Development, 2003- • Nave de Viviendas, Industrial shed with several flexible habitats, Madrid (ES), Completed, 2002- • 3×1, Three housing units in La Piovera, Madrid (ES), Preliminary P., 2001 • Esponja de Luz, 22 semi-detached houses V.P.T. in Torrelodones (ES), Project, 2000 • Montecastillo Senior Club, 138 housing units and Senior Club. Jerez de la Frontera, Cadiz (ES), Project, 2000-01 • Edifici Sant Joan, 28 flexible flats in Vinyols i Els Arcs, Tarragona, Constructed, 1998-99 • Erretres, Caminando por el jardín , Offices at Cadarso, Madrid, Completed, 2015-16 • Cervantes Institute Bruselas, Office building refurbishment, library and classrooms,  Brussels (BE), Completed, 2015-16 • Westrand, Refubishment of Dilbeek Cultural Center, Belgium (BE), 2013- • Erretres, La Oficina Inestable, Refurbishment at Plaza de España, Madrid (ES), Completed, 2013 • Flexi-Flats, Transformer housing in Ciudad Real (ES), Completed, 2007-08 • La Pelu de Peluka, children hairdresser´s Santa Feliciana, Madrid (ES), Completed, 2005-06 • Fluid House, conversion in Marqués de Santa Ana, Madrid (ES), Completed, 2003-05 • Housing block originally built in 1949, 14 large apartments and two shops, Madrid (ES), Completed, 2003-05 • Nuñez de Arce housing block originally built  in 1871, 24 flats, Madrid (ES), Completed, 2003-05 • Conde de Peñalver housing block originally built in 1912, 108 flats, Madrid (ES), Completed, 2002-04 • Casa Hodges attic, conversion, Madrid (ES), First prize invited competition, Completed, 2001-02 • The Huge Flat, conversion, Madrid (ES), Completed, 2001-02 • Nuñez de Arce 9, Office and Flat conversion, Madrid (ES), Completed, 1999 • La Casa sobre el Tejado, attic conversion, Madrid (ES), Completed, 1996-97 • Conversion of various industrial sheds into offices, Completed, 1999-2000 • XIV Edition Contemporary Art Fair DEARTE, Madrid (ES), Completed, 2015 • Alejandro Sanz, 2001 Tour, Produced, 2001 • Launching Event. New Logo for British Petroleum and New design for BP garage, Madrid and Lisbon, Produced, 2000 • Franchipolis pavilion, SIF Valencia (ES), First prize competition, Produced, 2000 • Stand Vía Digital, SIMO 2000, Project 2000 •Martin Price Exhibition, Museo de Antropología, Sala Millares, Madrid; Galería H2O, Barcelona; COACanarias, Tenerife (ES), associated with Federico Soriano, José Ballesteros and Dolores Palacios, Produced, 1996 • Arquitecturas Madrid – Berlín, Ideas for the fallen wall,  Exhibition E.T.H., Berlin (DE); Kolomna Dom Kulturi, Moscow (RU), associated with Juan Antonio Gorráiz and Helena Casanova, Produced, 1991 • Concept Plan Cultural Site Dilbeek, Design of the future plan of the area around the arts academy and the cultural centre at Dilbeek (BE) ,  Delivered, 2015 • Westrand Masterplan, Design of a mobility plan, covered parking spaces, and square at Dilbeek (BE), Delivered, 2013 • Kigali Farms, productive landscape V, buffer area of the Virunga Volcanoes National Park in Musanze (RW), Delivered, 2013-14 • Gran Via Futura, a study of Urban Landscape in Madrid’s Gran Via for Laboratorio Gran Vía (ES), Completed, 2010 • Energy producing park, Productive Landscapes IV,  Oostkamp (BE), European MP4 Interre, in association with ELD and VLM Flemish Govt. Landscape Agency, Completed, 2009 • Demand for quality in commercial street-level floors, Productive Landscapes III, Madrid City Council (ES), Completed, 2009 • Intervention in the industrial estate along the high-speed train line, Productive Landscapes II, Castilla-La Mancha Regional Government, JCCLM (ES), Under Development, 2009 • Strategies to recover  the interrupted landscapes of golf resort developments, Productive Landscapes I, Murcia Cultural, TISSPAS, Murcia’s Observatory of Sustainability (ES), Completed, 2009 • Enviroloo, public dry toilets, Kazuba Sarl (FR), Completed, 2008-09 • Madrid Public Space, Stategic Document, Center Office with Emilio Luque (ES), Completed, 2008 • Proyecto de Actuación, 65 Ha Land Management Plan, Completed, 2005 • Programa de Acción Urbanizadora, 7 Ha Land Management Plan, Toledo (ES), Completed, 2005 • Proyecto de Urbanización, Unidad 4 Fase 5, Toledo (ES), Completed, 2003-05 • Moving frontiers, Recreation Area, Madrid (ES), Second Prize Competition, 2004 • Plan Especial, Unidad 4 Fase 5, Toledo (ES), 2002-04 • Ecobarrio de Toledo, Unidad 4 Fase 5, Toledo, First Prize Europan Competition, 2001 • Estudio de Detalle, Residencial Montecastillo, Cádiz (ES), Completed, 2001 • Proyecto de Actuación, Accessibility project for a hardboard factory, Jaén (ES), Completed, 2001

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Good Article about Nobelia in ZA magazine “Earthworks”

05 12 2018

 

Good article about Nobelia in South African magazine Earthworks, in the context of the 6-Star GBC certification of our project. See above the first two pages of the printed version. You can read the full text (without the graphics) on the on-line version here.

Buen artículo sobre Nobelia en la revista Sudafricana Earthworks, a propósito de la reciente certificación 6-Star GBC de nuestro proyecto. Arriba vemos las dos primeras páginas de la versión impresa, pero se puede leer el texto completo (sin imágenes) en la versión web con este enlace (en inglés).