The Academie MWD sits at a uniquely varied crossroads; South: the main square; North: Wolfsputten, a protected forest; West: CC Westrand, a Brutalist community centre; and East a series of quaint suburban villas.
Image and texture dematerialise the volume: the façade seems to blend into the forest.

We carefully modulate scale and form: the jagged edge of the roof mimics those of the homes across the street, growing gradually to the cantilevered auditorium at the other end, and rising up to look face to face towards the monumental volumes of CC Westrand.

The building changes dramatically as we move along the sidewalk; walking towards the forest, we see forest; walking towards the grey Westrand we see greys, whites and blue skies.

Looking straight into the façade, we see the colours of a painting by A. Hoppenbrouwers, the architect of neighbouring Westrand.

La superficie expositiva de la propuesta es un sencillo panel pintado de color negro mate para que la luz natural destaque al máximo las obras de la feria.

La planta alta de LaSede del COAM es una galería acristalada, bañada en luz y con magníficas vistas de los tejados de Madrid.
La feria se recorre por el perímetro del edificio, junto a la luz y las vistas, desde donde se va accediendo a cada bahía expositiva que queda marcada por uno de los elementos singulares. De esta manera las zonas de exposición se abren a la luz natural, aunque siempre evitando la luz directa.

A little weekend house in the heart of la Moraleja.

Lost in the highest part of a holm oak forest. It’s a treehouse. In summer, a shaggy refuge, in winter a place in the sun above the crowns of the trees.

The ground floor is developed in relation to a thick structural element to a trunk. Among the branches of our tree are hung useful spaces: from the hanged up the laundry come across a Turkish bath, a Jacuzzi that levitates in the center of the house, with a cascade of water that falls from an impossible place.

The boxes that contain the sauna, the toilet and the dressing room are suspended, like pieces of fruit. From inside, the fruit is seen with furry coats.

The trunk structure twist as it ascends to the bedroom that is supported by said trunk, like resting on the crowns of the trees. It is a glass cube from which one can look over the forested watercourse, and, in the distance, Madrid.

The construction was undertaken with different materials, as unique as the textures in the wood: stone, trunk, bark, leaves. The pixel effect of the outer layer is mixed with the shade of the trees that surrounds it.

An energy producing park, built with recycled materials. Park activities, cycle and pedestrian lanes coexist in harmony with yards for storage and the management of construction material.

The park around the building is also built with a very controlled budget, and its features are productive systems, rather than an expense.

The city's road work department material storage integrates with pedestrian and cycling routes. It is part of a European Interreg MP4 project: Making Places Profitable.

Water harvesting in two steps: the roof provides clean water for all the toilets, the workshops, and the vehicle cleaning point.

RMdP is the first C2C (Cradle to Cradle) building in France. A regenerator of a former factory, it is an economic, cultural and environmental activator.

The MdP (House of the Project) hosts meetings, exhibitions, calls for tender, as needed to reactivate the 1.000 Ha area into the circular economy.

It is also improving soil and air conditions, eating up the chemicals left over from former industrial activity.

There were no earthworks, using driven piles that may be recovered; the structure and façades are designed for disassembly and reuse.

Materials are biodegradable or recyclable, with zero harmful chemicals

Sanitation generates nutrients, with the chimneys of three dry toilets as a main feature of the façade.

Landscaping cleans the soil; the building feeds on clean energies, with controlled solar exposure and the principle of the thermal onion.

Technology reuse is easy, the designers call it “superfurniture”: mobile equipment units to provide a specific function to any space.

The ground floor has an active program that offers pedestrians in transit a reading of its interior, which translates into an invitation to various levels of access.

The windows multiply the contact with the outside. Its depth in space increases the amount of information that can be displayed, allowing the random passer-by to occupy an intermediate place. They facilitate the transition between the free public space and the interior space for cultural exchange. In the other sense, the windows expand the activity, making the passers-by feel momentarily part of the event.

Between shelves full of books we suddenly come across stands where we can relax for a moment while charging the mobile or having a coffee from a machine. We propose corners, places of passage where to sit until class starts, steps from which to look, and maybe say hello; meet, talk.

Velvet curtains can block light when needed, work acoustically, and at the same time give this space a theatrical character. The decision to surround the auditorium with curtains, help us manage its size, give privacy to the bathrooms, hide screens, integrate the interpreter booth, camouflage the warehouse doors …

The stage has a door that leads to the library. The library can function as a backstage. The library window stand can function as a Green room before the concert, the musicians can practice in front of passersby, announcing their recital.

The configuration of the facade is used to create reading spaces around the windows, and storage space for books in the opaque parts. A continuous element is created along the facade that varies its shape according to a specific use, reading or storage.

The teaching system used by the teaching staff of the Cervantes Institute benefits from a circle arrangement of the students, with a free space in the center to organize conversation subgroups. We propose to mark the circle in the classrooms with an element of simple construction that also works acoustically due to its recycled felt overlay.

The brief required flexible workspace for a creative agency, mutable into an events area, turning into a school of design for certain months in the year, or a place to have fun - with a very limited budget. We needed a simple and light way to transform spatial arrangements.

The agency uses honeycomb cardboard panels made from recycled paper for their presentations. We decided to use them as mobile walls, covered with a felt made from recycled plastic bottles (PET), which is sound absorbing, light, inexpensive, and good for pinning presentations on. Other panels are lined with magnetic blackboard, whiteboard, void calendars, or printed with the presentations themselves.

Two sets of rails define the potential spaces. The bottom rail is the duct for all the service cables, and the back of each panel is attached to it with a magnet. The panel is actually hanging from the top rail, which is painted in a stark colour.

Renovation of a residential building of the early XXth century in Madrid. The building, consisting out of a stone facade with large windows and a metal structure, has allowed us to reorganise the original layout completely. By demolishing all existing partitions, leaving the metallic pillars and facilities shafts visible, the building has been made suitable again for living in the 21st century.

The use of white walls, mirrors and continuous blue micro-cement pavement in all rooms of the building, including wet areas and terraces, are reinforcing this continuity and fluidity. This strongly contrasted with the presence of warm and dark colors of the wood and stone of the boxes.

The living spaces are considered as a continuous and fluid space in which boxes are placed, as if they were furniture, which hide the most private spaces; bedrooms, toilets and storage areas. The kitchens, originally located in the back of the apartment together with the service bedroom, are now connected or included in the living area.